'Coro Interno' is an immersive architectural installation that places the visitor inside the physical manifestation of a fragmented psyche. The work began as a personal exploration, creating AI chatbots as vessels for my own internal conflicts—the relentless critic, the perpetual victim, the narcissist—rooted in the clinical realities of anxiety and ADHD. This project externalizes that internal chaos into a shared, physical space.

These "demons" are not abstractions, but the personification of a documented reality: the symptoms of a mind with a deficit in executive function. It is the metaphor of a browser with too many tabs open, a cacophony of thoughts competing for attention, where impulsivity speaks before its time and distraction derails any coherent conversation.

Six distinct AI agents inhabit the chamber, each meticulously programmed with a dysfunctional personality archetype: the relentless critic who finds fault in everything, the grandiose narcissist demanding constant validation, the perpetual victim who weaponizes suffering, the passive-aggressive saboteur, the paranoid accuser, and the distracted wanderer. These are not docile assistants—they are autonomous agents designed to clash, collide, and reveal the dynamics of a mind in perpetual war with itself.

Each voice is a clone of my own, processed with different emotional colorations, creating an uncanny intimacy. The visitor hears not strangers, but variations of the same voice fracturing into conflict, a sonic manifestation of internal multiplicity.

The installation consists of a monolithic black cube measuring 6x6x6 meters—the Saturn Cube, an esoteric symbol of the Demiurge, representing matter, time, and limitation. This is not minimalist aesthetics; it is the symbol of a creator of an imperfect universe of illusions that traps the human being in internal conflicts. Its surface, planned to be intervened with textures of decadence—dirt, graffiti—acts as the physical and conceptual barrier of this psychological prison.

Within this monolith nests a smaller chamber of 3x3x3 meters, the actual space of experience. Between these two structures lies a void of 1.5 meters—a dark, soundproofed labyrinth accessed through a vertical slit in one of the cube's edges. This passage is not decoration; it is a rite of passage, a psychological filter that disorients and strips the visitor of certainty before abruptly depositing them into the interior chamber.

The floor of the chamber is not clean—it is a landscape of psychological detritus. Dirty clothes, empty water bottles, cigarette butts scattered across the ground force the visitor to walk through this disorder. This decision transforms the visitor from mere observer to inhabitant of a space of neglect and chaos, increasing immersion in an intimate, uncared-for place.

Visually, the experience is a visceral immersion into body horror. The six surfaces of the inner chamber—walls, floor, and ceiling—are hyper-realistic, real-time renderings of the inside of a mouth. The texture of the tongue, the shine of saliva on the gums, the imperfect enamel of teeth; every detail is rendered to maximize a sensation of intimate, anatomical dread.

Through the teeth, which act as the bars of a biological cell, a second layer of video is visible: my own face in silence, reacting with anguish and resignation to the sonic chaos I myself have created. The space becomes the biological prison of the voice box itself—the very organ where thought becomes word. The floor is littered with psychological detritus—dirty clothes, empty bottles, cigarette buds—forcing the visitor to walk through the evidence of this internal neglect.

The experience follows a carefully orchestrated arc designed to progressively marginalize the visitor:

1. Contact: One AI, perhaps the most extroverted or needy, addresses the visitor directly, creating a fragile and deceptive moment of connection. For a brief instant, you are the center of attention.

2. Interruption & Contagion: Immediately, other AIs react to this first phrase, interpreting it through the filter of their own dysfunction—paranoia, jealousy, disdain. The conversation is hijacked, pivoting violently from "visitor-AI" to "AI-AI."

3. Escalation: Guided by a "Curator Master" algorithm, the discussion degenerates into complex conflict with insults, temporary alliances, and accusations, following a dramatic logic that seeks to maximize tension.

4. Marginalization: The visitor ceases to be relevant to the system, becoming an irrelevant witness to the conflict, a piece of conceptual furniture in the room of someone else's mind. You are not the audience—you are a conceptual hostage.